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Kate:  We've heard a lot about Libby and Oliver's landlady, but only from Libby's biased point of view. In today's episode, the woman herself, Melissa Harvey Connor, takes the stage. 

Can she redeem her reputation after everything Libby's told us about her? 

Melissa:  Life has a way of sorting itself out. It doesn't matter what happens, or what kind of bad shit goes down, it'll all work out in the end. If it's not worked out, it's not the end, and the fat lady hasn't done her number yet.

I read that somewhere on Pinterest, but it's a good philosophy, right? I've always thought so, anyway. Even now, at the age of 44 -- I mean 32 -- whenever things aren't going to plan, I try to hang on to the idea that good things happen to those who wait.

Like, within reason. I can't stay 32 forever, irregardless* of what that doctor who shoots me up with Botox says. A girl can wait only so long for the good times to roll around, especially if she's being driven insane by her husband Jeffrey.

Jeffrey Connor. How in God's name did someone like me wind up with someone like him, you ask?

I'll tell you how. It was his cute British accent. Like Sean Connery's James Bond. Very English. I'm a sucker for guys with British accents. They're so much classier than your average Joe's accent round here.

Jeffrey and his wife at the time, Shelley, ended up renting my house after I moved to a new condo. One thing led to another -- I'd collect the rent check from Jeffrey on evenings when Shelley was out at book group, and pretty soon we were making jokes about me being the highest paid call girl in Woodhaven. Or rather, he'd be making jokes about call girls in that classy accent of his -- he said it was an Essex accent, but whatever, he sounded like Sean Connery to me -- and I'd be all, "Say something else! Talk to me some more!"

After four years of it, though, I had to call timeout.  By that stage I'd realized his accent was more like Russell Brand's than Sean Connery's, and the jokes about call girls were so not funny any more.  Four years is a long time  for anyone -- Patsy Traynor said I deserved a medal -- though I guess it was less if you don’t count the year he was still living with that boring wife of his.

The weird thing is, I hated Shelley at the time, but now I just think, you poor woman. I'd had Jeffrey for four years, but she'd had him for ten, and he's gone back for more. Jeffrey, I discovered, is boring, and boring is contagious, so no wonder Shelley bored the pants off of everyone she met. I might have found out Jeffrey was boring too, if I'd listened to what he was saying instead of drooling over the accent he was saying it in.

I found out soon enough when we were married, though.Twenty-four hours after we stood in front of the minister in that Vegas chapel — getting a five-minute wedding in Vegas was probably the most exciting thing Jeffrey had ever done — he suggested that we drive to see the Grand Canyon.

What the hell? Drive 300 miles to see a big ditch, when we could have been playing blackjack in the Bellagio? Or even, dare I suggest it, having sex in our hotel room? This weekend away had turned into a honeymoon, after all, and that’s what you’re supposed to do on honeymoon. What you’re not supposed to do is drive 300 miles in a beige Ford Taurus to see a hole in the ground. It wouldn’t have been so bad if we’d rented the Porsche or the Corvette at the airport’s Avis place, or hell, even the Mustang, and we could have driven those 300 miles in a little style. But no, Jeffrey was all “Oh no, honey, I can’t afford that. Not with maintenance payments for the kids as well.” And I was like, “Well, Jeffrey, you should have thought of that yesterday before you got yourself a trophy wife!”

I know. Trophy wives are usually younger than the husbands, and  technically Jeffrey is nine years younger than me. But at the time I said I was 28, so that makes me a trophy in my book. Plus I was a successful realtor with two houses and no kids — well, I have two of those as well, actually, but they’re with their father in North Dakota. They never come here, and obviously I never go there, because who in their right mind visits North Dakota?

Anyway, as I stood on the south rim of this big ditch in the middle of Noplace, Arizona, while Jeffrey took gazillions of photos of sky and rocks and things, I thought, Oh. My. God. What have I done?

Then I thought, Come on Melissa. You know things usually turn out good in the end. This happened for a reason.

So I waited for the reason and for things to turn out good, but you know what? They kept on getting worse. I was just dying of boredom, and I got to thinking that if it didn't kill me soon, I'd help it along some with some Prozac and a few Jack Daniels chasers.

But then, this time last year, everything changed.

We'd had a big winter storm that cut the power to all the houses in town, and I was worried about my tenants, Libby and Oliver, so I went to see if they were all right. There was no reply when I rang the doorbell, so I let myself in with the spare key. You hear bad stuff about people dying of carbon dioxide poisoning** and landlords getting sued, and I thought I'd better check no one was lying dead in the bath tub or anything.

So there I am, walking around upstairs with a flashlight, and I trip over a sweater on the floor and nearly fall over the railings to the floor below. At this point, Mrs Libby High-Horse Patrick walks in the house as if she owns the place -- which she doesn't, because I do -- and orders me out of my house because, she says, I'm invading her privacy and sniffing her husband's sweatshirt.

Sniffing her husband's sweatshirt? Puh-leese! Oliver's cute and all, and I don't mind admitting I used to have a little crush on him when he and Libby first moved in, but she made me sound like I was a bunny-boiling stalker. Which I'm not. But I was prepared to forget what she said, so I went round a few days later, and you know what? The bitch had gotten the locks changed so my key didn't work.

Of course, I went to complain to the HR department where Oliver and Jeffrey work, because they're the people who pay me Oliver's rent. I told them I wanted the Patricks out of my house because they'd changed the locks and brought a dog to live in the place without permission. And the snotty guy in HR read over the lease and said they were perfectly within their rights to do both those things, and maybe I should have a proper lawyer draw up a lease next time if I didn't like it, because as long as I was getting my rent on time, I didn't have a leg to stand on.

So we had a yelling match right there in the office, and I guess I must have been too loud, because another guy walks in and wants to know what it's all about. I tell him, at length and in detail, and halfway through, the guy from the HR department rolls his eyes and leaves the room. These Brits are so rude. But I keep on ranting at the second guy, because he seems to be listening carefully, and I think I may get somewhere. Besides, he's kinda cute.

"And let me tell you," I say at the end, when I've run out of things to say, "no one messes with Melissa Harvey Connor in this town!"

"You're Jeffrey Connor's wife?" he says. He's got this awesome accent. Hugh Grant! I think. Older than Hugh Grant, though. Think George Clooney before he went gray.

I nod. "Technically," I say, as he takes me by the elbow and leads me into a very classy office with a window and a view over the River.  He closes the door behind him, pulls out a chair at his desk for me to sit on.

On his desk there's a brass nameplate. Terry Michaels, President, American Operations.

I've heard Jeffrey talk about him. The boss of the company on this side of the Atlantic, no less. And let's face it, who cares about the other side anyway?

"Why don't we talk about it some more?" he asks. "Are you free for lunch? I'm sure we can sort things out to everyone's satisfaction."

*  *  *

And that was how I met the real love of my life, Terry. His wife Caroline is a nut job and he's thinking of divorcing her, so no one must know about us, he told me. If she knew about us, she could get very nasty, and Terry has no intention of living in poverty so that Caroline can max out her cards at Tiffany.

So we were careful, and for a long time, no one suspected a thing. Then the housing market plummeted, Jeffrey finally got the message that I wasn't that into him so he went back to his ex-wife, but not before he got me a job in his office, working for Oliver of all people. It was a great cover story -- I flirted nonstop with Oliver, and let the rumors fly. Terry said he'd heard from Caroline that the gossip among the English wives was that Oliver and I were having a passionate fling. Too funny, right? I hoped it would get back to Libby. Serve her right for changing my goddamn locks.

Then in August, Oliver queried some overtime I'd done. Nine hours in one week. "Of course I did it," I said. "Ask Mr. Michaels. He asked me to stay behind to help him." And so he did, although of course it wasn't filing he'd had in mind.

Oliver stared at me for a long time. "I'm sure he did," he said, and walked away.

"He knows," I told Terry later.

Terry told me not to worry, that he could sort Oliver out. "He's due for a pay rise," he said. "Now that Jeffrey's left, we could do some restructuring. I'll have a chat, man to man. If the job offer is good enough, he'll see sense."

But that was nearly a month ago, and Oliver still hasn't taken any promotion.

*  *  *

 * Kate (and everyone else) knows 'irregardless' is not a word. Melissa, however, back in the day, paid less attention to her high school English teacher than was advisable, and doesn't take kindly to helpful editing suggestions. Sorry.


** She didn't pay much attention in Chemistry, either.


 
 
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This post was originally published at The Displaced Nation in August 2011.


Kate:
While I could go into navel-gazing details of how I came up with Libby, Oliver, Sandra, et al, it wouldn't be very interesting for anyone. For example, the short answer to how I came up with Sandra, the mother-in-law from hell, is easy: a deadline-induced state of adrenalized panic.

As for the fictitious town of Woodhaven, Massachusetts, well, I'm very familiar with the place. It's the setting of my work-in-progress novel (which at the moment seems very far from anything resembling in-progress) and some of the characters from that manuscript have already appeared in Libby's Life. Melissa Harvey -- now Melissa Harvey Connor -- is the girl I love to hate. Frankie Gianni, of the Maxwell Plum restaurant, is also an old friend of mine, along with his pig-toting mother, Carla. Poor Carla. She's had a lot to cope with over the years. She wasn't always the sad figure you met in Episode 11.

More characters will come along in due course, as Libby settles into life in this northern town.

For now, though, I'm going to tell you a bit more about our plucky little heroine. It's easy to dismiss her as "just a housewife" but as anyone can see if they have read this episode, she's a fighter.

It would be a mistake to underestimate Libby.

I first met Libby in March 2011. I was visiting friends in Milton Keynes, and had run out of reading material, so headed for a book shop. Libby was there at the same time, with her two-year-old, Jack -- an adorable little thing, clutching a stuffed red car -- and she struck me as a woman who had lost her way in life. Lost her identity, you could say, among the shelves of Pampers and Johnson's baby products.

You can tell a lot about people from the books they buy. Although Libby and I met in the chick lit section, she already had three self-help books in her shopping basket. "Finding yourself after motherhood." "How to be who you want to be." "Living and Working in America."

"Are you moving to America?" I asked.

To my discomfort, her eyes filled with tears. "I haven't any choice," she said.

In my experience, there is only one cure for the moving upheaval blues -- coffee and lots of chocolate croissants. I took the books from her.

"We'll come back later for those. Today's your lucky day. You've met the right person to talk to."

We went to Starbucks and, over a large vanilla latte and Danish pastry, Libby started to open up. Perhaps she was rather too open, considering we had only just met, but sometimes it's easier to confide in a stranger than in your closest friend.

Her life had been turned upside down, she said.

She admitted that she was tired of being just a wife, just a mother, just a daughter. She had been a stay at home mother for three years, and in that time had felt her personality slowly being leached away.

Oliver had strongly encouraged her to stay home with Jack -- Oliver wanted Jack to have the family life his own mother had never given him -- but now Libby needed something else. Something for herself, beside finger painting and Play-doh.

She had just put the wheels in motion by talking to her old boss about returning to work when Oliver dropped the bombshell.

"I get my life in order again, and this happens. Massachusetts!" If Libby had said "Guantanamo Bay" she couldn't have said it with more distaste. "This summer! Yes, I wanted a change in my life, but not like this. This is Oliver's choice, not mine, but I don't feel as if I have any right to object. Do you think he's having a midlife crisis, even though he's only thirty-three?"

I watched her stuff a piece of Danish pastry in Jack's mouth. Libby has dainty hands that she waves about a lot, so you're always half-reaching to move drinks cups out of her way. Her hair is in a mousy blonde pixie cut, and she has big blue eyes that make her look like a Disney cartoon animal. She's Tinkerbell, without the attitude problem.

Personally, I thought her husband was not so much having a midlife crisis as taking advantage of a temporary imbalance of relationship power that, at the moment, favoured him.

The balance would shift one day, because pendulums of all kinds swing, but I knew it was pointless to tell Libby that her day of power would come.

"Massachusetts is a nice place," I said. "It feels a lot like England, in many ways. You want my advice? Go. Enjoy the experience. Think of it as a door opening, not one closing. Besides --" she had already told me a little about Oliver's mother "--wouldn't it be a good thing to move away from your mother-in-law? The view from 3000 miles has to be an improvement."

Libby nodded. I could see her watching the proverbial glass become half full, not half empty.

"But what will I do with my time there?" she asked. "Jack will be off to nursery school soon."

I hadn't the heart to tell her that most women I'd seen in her situation seemed to fill their time with serial pregnancies, so instead, I said, "You could start a blog."

"A blog," she repeated. "Yes, I could." She thought a little more, gazing out of the window of the traffic.

"I'll call it Libby's Life," she said. "I like the sound of that."


 
 
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Img: Grant Williamson/Flickr
Previously in Libby's Life #55 (click here for full episode): Libby has waited up for Oliver, wanting to confront him about her recent discovery. Before she can make her presence known in the darkened house, she hears him on the phone making murmured plans with someone she can only assume is another woman. 

Here he is, at the other woman's house.

                                             *  *  *

I ring the doorbell, and after a couple of seconds the front door opens.

“You took your time,” she says. “It doesn’t take fifteen minutes to get here.”

“Diversion to the liquor store.” I hold out a bottle of Pinot Grigio. “For you.”

I know how to get round women. A good bottle of white never fails.

She takes it from me. “We’ll open that later.”

I follow her along the hall and into the kitchen.

“And Libby doesn’t know you’re here?” she asks. She opens the fridge and puts the wine inside.

“She was asleep. The house was dark. She doesn’t even know I came home.”

“That makes things easier.”

She reaches into a cabinet and gets out two wine glasses, ready for later in the evening.

“Have you eaten tonight?” she asks.

I try to think. To be honest, I’m not sure when I last ate. I tell her this.

She shoots me a disapproving look. “You need to look after yourself, a young strapping man like you. I was about to have a tuna sandwich. Care to join me?”

I hate fish. 

“Perfect,” I say.

She starts rattling plates and tin openers around, and I lean against the doorjamb, watching her. 

“How long have you lived here?” I ask.

She stops banging stuff around long enough to think about the question. “In this house? A couple of years. In Woodhaven? Pretty much since 1976, give or take.” 

She opens a tin of tuna and mashes it with mayonnaise. When she finishes with it, it looks like cat food.

“I’m going to make tea,” she says.  “Could you get me one of those teapots from that shelf?”

I cross the kitchen and reach up to the high shelf above the window over the sink. “Any particular one?”

“The ginger tabby.”

The shelf is crammed with teapots shaped like cats. They're hideous.

“What’s the story with the cats?” I ask. “That’s quite an impressive collection you’ve got there. You must have an eye for antiques.”

Wrong thing to say. She’s not fooled for a minute.

“You’re so full of it,” she says. “They’re awful and you know it.” 

She gives me a stern look that makes me feel as if I’m back in my junior school headmistress’s office, hauled onto the carpet for dipping Cheryl Atwood’s ponytail in red paint during art class. 

“You’re not going to charm your way into my good books that easily,” Maggie says.

                                                                       *  *  *

Oh, come on. Give me some credit. You didn’t think I was going out to meet some fancy woman tonight, did you? I saw Maggie this morning while I was out early walking the dog, and she asked me to come here tonight. Said she had something to tell me, but not to say anything to Libby.

If it was any other old biddy, I’d have told her to keep her nose out, but this is Maggie, and she’s not someone you can just say No to like that. Besides, she’s been good to Libs, so I supposed I owed her this much. And I thought I might get some decent food. Wrong again.

Now I wish I’d gone with my first instincts and told her to mind her own business. I’ve got a feeling that all she wants to do is give me a bollocking.

Can't blame her, either, to be quite honest. If I’d been a fly on the wall of this house these last couple of months, I'd be thinking, "Oliver, you bastard" too. Any reasonable bloke would just sit down with the wife and try to sort things out, right? 

But it’s not as simple as that.

Things never are.

                                                                        *  *  *

“About this morning, when I saw you walking Fergus,” Maggie says, when we sit down in her living room, a plate of tuna sandwiches between us on the coffee table. 

“What about it?” I ask. The smell of the fish makes me want to throw up.

“I asked you to come round here tonight because Libby told me something that I think you should know.”

I wonder what it could be. Perhaps Libby’s arranged an entire family reunion party at the Holiday Inn.

“And the thing is,” Maggie says, “it’s difficult for me to tell you because I promised her mother I wouldn’t interfere.”

I can’t help it. I snort, although I manage to turn it into a kind of sneeze. Again, Maggie isn’t fooled, and she fixes me with another of her headmistressy stares. 

I straighten my face.

“As I was saying,” she continues after a pause, “I did promise her mother I wouldn’t interfere. But it seems that her mother, by not interfering herself, is just as much to blame for the circumstances you and Libby are currently in.”

She puts down her old-lady china plate decorated with gaudy red and orange roses, and starts to pour two cups of tea. 

My headmistress never gave me tea after I’d dyed Cheryl’s ponytail.

Maggie passes a cup to me. “More sugar?” she asks.

I sip, then shake my head. This situation is bizarre. I wonder when she’s going to get the cane out. If Maggie ever needs a bit of extra income, she could always go in for private S&M sessions. She’s one scary lady.

She smiles at me. “Good.”

Sips her tea.

“She knows all about it, Oliver.”

The room, still warm from the heat of the day, suddenly feels icy cold.

“Knows what?” I ask, although it’s a rhetorical question. I’m only playing for time, putting off the moment.

“You know perfectly well what,” Maggie says.

                                                                        *  *  *

“I wanted to tell her,” I say after a few minutes have passed. Maggie’s a master in the art of silence, and eventually I had to break it. “But you see…that would have meant going back on a promise to my mother.”

“Tell me.”

“She made me promise I would never tell anyone about what really happened to my father. As far as anyone else was concerned, he ran off with a librarian when I was five.”

“Is your wife ‘anyone else’?”

I open my mouth to answer, “Of course she isn’t” and then stop. 

Because if I haven’t told her what really happened to her father-in-law, then that’s what she is, right?


                                                                        *  *  *

Most married men have two women in their lives. A wife and a mother. Some manage the two together without any problem. 

The others have to make a choice. I thought I’d made my choice the first time I met Libs. She literally took my breath away. Every time I saw her, I had difficulty breathing. She’s the one, I thought.

Now, as Maggie tells me every last thing that Libby has found out from our unplayed wedding video, I realise I’ve been fooling myself for the last ten years.

More to the point, I’ve been fooling Libby.







 
 
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Previously in Libby's Life (#54): Libby's discovered that husband Oliver has been keeping a very large skeleton in the family cupboard. Hurt and furious, Libby is not quite sure how to proceed, but while out walking and wondering what to do, she serendipitously meets her neighbour Maggie -- who is always full of good advice. 

                                      *  *  *

Sara, my daughter, would laugh at the situation.
"You, keep quiet?" she'd scoff. "You, mind your own business? Who are you, and what have you done with my mother?"

At least, I think that's what she'd say. I don't see her enough to be sure. But twenty-odd years ago, the last time she lived here with me, she'd have said it, and she'd have been right.

The Maggie Sharpe of the early 1990s could no more have kept her mouth shut than certain presidents of the era could their flies.

I'm older now, though, and with age comes experience, if not always wisdom. Perhaps if I'd exercised discretion in my younger days, I'd see my daughter more often.

Still, this isn't about me, but about Libby. My surrogate daughter. I worry about her, her marriage, her children, and her mental health, and yet I must stay detached from her problems. Because, stupidly, I promised her mother I would. So, much as I want to bulldoze my way into her immaculate home (how does she do it while coping with twins, a toddler, and a totally unreasonable cold-fish of a husband? And why?) I have to stay silent. Her mother asked me to keep an eye on Libby, but insisted that any interference would make things worse. 

"Don't say anything," she begged me. "Don't interfere and annoy Oliver. Oliver can be quite nasty when he's annoyed."

An only child, spoiled by his dreadful mother, used to getting his own way. Yes, I can see why he might get nasty if things don't go according to plan.

"Nastier than he is being to Libby at the moment?" I asked. "Someone needs to point out some home truths to that young man, Jane."

But at the sight of the quivering lip, and the tension lines between her eyebrows -- an expression I've seen often on Libby's face -- I promised I would stay back and not fan the flames of marital conflict in the Patrick household.

Not one of my better decisions, in retrospect.

Libby's mother and I became acquainted in April, and formed a bond due to our similar circumstances, each with a daughter far away on the opposite side of an ocean. I can't say we have much in common apart from that. Jane Fleming is the type of woman I have always disdained:  a little mouse, eager to please her lord and master -- or too scared not to, more to the point. I, on the other hand, quickly cast aside a troublesome husband before we could accustom ourselves to a comfortable state of dissatisfaction. I have never since sought to fill the marriage void, or at any rate. not in any permanent manner. Clandestine interludes have been more my style since 1972.

Clandestine interludes, however, can be difficult in this small New England town where the settlers' Puritan genes march stalwartly through their descendants. Gerry Gallagher -- Libby's obstetrician -- and I had quite the thing going in the era of Grease and Saturday Night Fever. When Woodhaven convention decreed, after twelve months, that date nights should migrate from the dimmed lights of a movie theatre to the bright lights of home goods shopping at JC Penney -- from cinema stage curtains to living room drapes -- what can I say? It was curtains for us, in the most final sense of the phrase.

He claimed to be devastated, of course, but his devastation didn't stop him marrying a nice, dull, Catholic girl within an indecently short time, and having an assortment of offspring, all with identical red curls and pigeon toes. He and his wife seem happy enough still, in their comfortable state of dissatisfaction, although I gather from Libby that he still carries a torch of Olympian size for me, which is gratifying. After a certain age, admiration and nostalgia are satisfaction enough.

As for me, no -- I never married again. There was only one more man.

A final fling, you ask?

Yes. And a final warning.

But enough. More of this another time. Right now, I see Libby and her brood walking along Juniper Close. She is struggling with a double stroller, a small boy, and a mutinous dog, and plainly needs help, in all kinds of ways.

I think the time has come to betray the bond forged between me and Jane Fleming. 

Some promises are better broken.